5 The Stephen King Remakes We Deserve


Stephen king the adaptations are a lot like Forrest Gump’s box of chocolates in that “you never know what you’re going to get” when you sit down to watch one. Will this be a really scary feature that is also true to the source material like Mist (2007) and Misery (1990) ? Or will it just serve as a quick cash grab like the seemingly endless entries into the The children of the corn franchise? Some adaptations result in a successful homage to King’s empathetic, three-dimensional characters and masterful suspense, while others tend to wade through underdeveloped protagonists and rely on cheap fears.

Among the film and television adaptations of his dozens of novels, hundreds of short stories, and even a few storylines, discovering one that fits King’s plot, characters and suspense is rarer than it should be. despite the solid source. For every solid and loyal adaptation of King, it seems there are three more that haven’t lived up to their potential. Here are five adaptations of the Master of Horror that deserve another shot at silver screen (or streaming) success.

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Cujo (1983)

Dee Wallace in Cujo

Image via Warner Bros.

It is difficult to miss an aggressive dog that barks and not think of the incumbent Saint Bernard going on a bloody rampage. In Cujo, cry queen Dee Wallace turns into a solid performance as Donna Trenton, the target of Cujo’s rage-induced rage, and it’s her heartbreaking experience with her son (Danny Pintauro) which gives the film most of its points. Despite this, the film is too slow to build until its violent conclusion (which isn’t scary enough for a Stephen King adaptation). A remake that doubles as Trenton’s family conflict while deepening Donna and Tad’s mother-son bond would increase fear, especially if it sticks to the novel’s much darker and depressing ending. It can be difficult to film the quieter, introspective parts of the novel, but watching this Mike Flanagan made with Gerald’s game, it’s not as impossible as it sounds. Animal horror appears to be a declining subgenre but a Cujo rebooting might be the thing he needs to bring it back to life.

The Dark Tower (2017)

Idris Elba and Matthew McConaughey in The Dark Tower

Image via Columbia Pictures

Fans who demanded a faithful adaptation of The dark tower saga since the release of the first installment of the eight-part novel series in 1982 may have to wait a little longer. It’s no secret that the 2017 film adaptation has received criticism from both audiences and critics, despite earning nearly double its production budget in its global gross. The visuals are well done and the acting is good, with Idris elbe and Matthew McConaughey Turning into solid performances as gunslinger Roland Deschain and the Man in Black, respectively, but solid play doesn’t make up for a messy (and complicated) plot. Rather than trusting viewers with a direct adaptation of the significantly slower pace and Western vibes of the series’ first novel, The gunslinger, the filmmakers have instead chosen to combine the characters and stories of the first three novels in a 95-minute film. The result is rushed and messy with a film that neither exhibits the western grainy atmosphere of The gunslinger, the action and character work of The drawing of the three, or the adventure and sci-fi elements of The wasteland. The condensed (and dense) story may be easy to follow for fans who have read the series, but that doesn’t make it an easy experience for Dark Tower beginners.

It also didn’t help that the film’s script credit was shared by not one, not two, not three, but four different people (Akiva Goldsman, Jeff pinkner, Anders Thomas Jensen, and director Nikolaj Arcel). The number of different visions of what the story should be as it went through its many drafts and revisions caused the film to lose its narrative focus. Quite simply, it’s about having too many cooks in Stephen King’s kitchen. It’s not a completely wasted effort, but neither is it an adaptation of King as The green Line which cements itself as untouchable with other adaptations.

Necessary Things (1993)

Ed Harris in Necessary Things

Image via Columbia Pictures

Things needed is a prime example of what happens when a 736-page book is condensed into a 120-minute movie. As one would expect, much of the depth of character of the people of the small town of Castle Rock is lost in translation, giving us little cause for concern about them and their plight when a mysterious owner of an antique store (Max von Sydow) comes to town. Townspeople making unfamiliar deals with the devil should be a no-brainer when it comes to capitalizing on dramatic tensions, but most of the drama with the people of Castle Rock – the grudges, the violence, the stabbing in back and murder – are almost camping, like Nettie Cobb (Amanda plummer) and Wilma Jerzyck (Valri bromfield) fighting to the death with knives and meat grinders on Wilma’s roof. The result is a movie with underdeveloped characters that don’t inspire public empathy – not to mention the fact that the movie just isn’t creepy or overtly horror-centric, either in the acts. von Sydow’s evil Leland Gaunt, the destruction of Castle Rock, or the altercations and murders that townspeople are convinced to commit in order to secure their own “necessary thing.”

Things needed is not a Wrong movie. Most of the performances are solid, and his portrayal of the small town of Castle Rock is full of fall vibes in New England. But he ultimately doesn’t live up to the potential he sometimes shows, hinting at the darker, more faithful adaptation than he could have been.

Under the Dome (2013-2015)

Dean Norris in Under the Dome

Image via CBS

Oh, Under the dome, you have had such a promising start.

What started out as a fairly faithful TV adaptation of Stephen King’s 2009 novel quickly derailed with dense mythology that seemed to grow more and more complex as it went. While it’s still admirable when network TV swings for the fences with new, out-of-the-box sci-fi shows and ideas, it doesn’t take long before Under the dome introduces increasingly bizarre and camping plot devices like alien eggs, mysterious pink fluorescent butterflies, a cave of cocooned humans, a mysterious energy society, and government cover-ups and plots. It’s fun for a show that airs during the lazy summer months, but it all ends up being a bit silly. The main problem is that instead of following the plot of the novel and letting the story run its course over eight, 10, or 12 episodes, CBS processed it for 39 episodes over three seasons, digging the series into a hole. deep narrative with no satisfactory outcome. .

A successful new adaptation of the source material has the potential to be a welcome addition to King’s pantheon of classics, especially with the ability to properly adapt the novel’s wide array of three-dimensional characters, currents of fear and despair. , and the horrible decisions people make when they watch what looks like a time bomb. There are great ideas and even bigger feelings that would look great on a movie. Plus, it would allow for a darker, grainy tone and material that the network TV adaptation simply couldn’t accommodate. Under the dome is a solid example of what happens when money dictates a show rather than storytelling. It didn’t necessarily fail, but it didn’t succeed either. Let’s try again, will you?

Red Rose (2002)

The Cast of Rose Rouge

Image via ABC

Audiences are always hungry for a new take on a haunted house tale, and Red rose, King’s ABC miniseries that he himself scripted, was a prime example of that boost when it drew 20 million viewers for the first of its three episodes. And you know what? It’s pretty solid. It features a great cast of talented artists (Nancy Travis, Melanie Lynskey, Kimberly J. Brown, Matt ross, and Emilie Deschanel, among others), deals with many exciting elements of the supernatural plot of King’s novels (such as psychic phenomena), and highlights King’s gift for empathetic child characters. Red rose is super watchable, although its effects, fears, and made-for-TV dramas are all a bit dated. An update would provide an opportunity to capitalize on the special effects and technological improvements that have taken place in the nearly twenty years since its release. The prospect of a remake with a darker, colder vibe of what is already a robust plot with an interesting cast of characters is exciting. The universe King has created here is full of story possibilities, and an update in the right hands could be akin to that of Netflix. The Haunting of Hill House with solid character development and real scares.

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